It’s day 2 of my 100 days of photography and we are talking about shooting in manual mode. If you missed yesterday, click here for an explanation of the big three – aperture, shutter and ISO.
I decided the day I got my camera that I was going to put my camera in manual mode and never take it off. I hit my shutter button and it stayed open for thirty seconds and gave me a big white image. I legit thought it was broken. I’m pretty sure I actually shook my camera lightly to see if that would fix it.
Jump to my first ever shoot (of course it was unpaid, see pic below) and I had no idea why my image was dark. I remember thinking “I swear this thing is broken” and “I guess I’ll just fix it in Photoshop.” If I had known, I would have thought “Ok there’s no reason my aperture should be at 4.5 and my shutter at 1,000, I can bring both of those down.” Instead I was too nervous in the moment to look like I didn’t know what I was doing in front of a 3 and 6 year old, so I just shot on.
While I had studied shutter, ISO, and aperture for weeks beforehand and could give you a textbook definition for each, I didn’t know how to balance the three to get a good image. And that’s the secret to shooting in manual; it’s a balancing act. Let’s go over three scenarios:
Scenario 1: You’re shooting a group of 12 in the shade. You have your camera on ISO 100, aperture value (AV or F Stop) 2.8 and shutter 1/400. You realize half of the group is out of focus because of your low F stop. You bump up your F stop to 5.6 and suddenly your image is too dark. To compensate, you can either choose a higher ISO or slow your shutter. You slow your shutter to 1/120 and the image is still a bit too dark. You don’t want to slow your shutter anymore because people are moving and you want to keep a sharp image. So you choose to bump up your ISO to 400. The image looks great!
Scenario 2: The wedding ran a little long and the sun is setting fast. You only have a few minutes with the couple before your light is gone. Your image looks a bit dark and a little dreary at aperture 3.5, ISO 200 and shutter 1/100. You want those images you see that are full of light with buttery backgrounds and creamy skin tones and it’s just not happening. You bump your ISO to 400 to keep your ISO moderate with minimal grain. It’s still not doing it for you… you don’t want to bump the ISO anymore so you open your aperture to 2.0 and suddenly all your woes are gone! Your image is soft, beautiful and bright with a shallow depth of field that lets in tons of light.
Scenario 3: Your client requested a shoot in the desert and it’s bright out! You want soft backgrounds so your F stop is set to 2.8 and your ISO is as low as it will go at 100, but the image is still almost white. Your shutter is at 1/200. You speed it up to 1/2000 so you can keep the low ISO and low F stop. Your image is exposed perfectly in the bright sunlight.
When you make a change that affects the image, you might need to change other settings to compensate. Opening the aperture might require you to speed up your shutter or lower your ISO. Sometimes it’s not ideal… shooting in a dark church might require a high ISO that gives you grain you’d rather not have. But to nail an exposure, you have to be able to balance these three settings. When you’re shooting and your image is too dark or too bright, see what settings you can change to let more or less light in.
When you’re shooting and your images don’t look quite right, you have to either change your subject, as in, where they’re standing and where you’re standing, or you need to change your settings. Stop, take pause and figure out WHAT doesn’t look right. Is your image too dark? If so, you know that in order to make a brighter image, you can up your ISO, you can lower your F Stop, or you can slow your shutter. Those are your three options. So what, given what you’re photographing and your current settings, is the best option? If your F Stop is already as low as you can go and your shutter is already slow, then ISO it is! I understand these will take a long time to “Click” into place when you’re shooting. That’s why it’s important to slow down and really determine why you’re not getting the results you want and what needs to change to make it happen. Read through these scenarios slowly a few times. Really imagine they’re happening and why each solution makes sense. You will absolutely get it!
That’s day two! Thank you so much for being here! Tomorrow we are going to be talking about finding your first clients!
Day 98 is currently reserved for any questions you have throughout the next 100 days. To submit a question, please click here! If you’re interested in supporting this project, please share, PIN and comment! Any other questions, comments or ideas, please feel free to email me at denise(at)denisekaris(dot)com
|Denise Karis is an Arizona photographer who enjoys musicals, Doctor Who and breakfast burritos. IG @denisekaris|
Hey. Do you mind if I tell you a story? One you might not have heard. All the elements in your body were forged many many millions of years ago in the heart of a faraway star that exploded and died. That explosion scattered those elements across the desolations of deep space. After so, so many millions of years, these elements came together to form new stars and new planets. And on and on it went. The elements came together and burst apart, forming shoes and ships and sealing wax and cabbages and kings. Until, eventually, they came together to make you. You are unique in the universe. There is only one of you. And there will never be another.